Abe: Our company has been using EIZO ColorEdge as our production monitors for over ten years, with our last installation occurring eight years ago. As the number of monitors in use for extended periods has grown, we decided to refresh our system and chose to continue with EIZO due to their proven track record and reliability. We recently began updating the monitors used in the production process, where precise color management is crucial. Our goal in selecting new monitors was to enable the production team to focus on their work without distractions while maintaining a seamless user experience. Currently, we have approximately 50 ColorEdge monitors in use in the studio, with an additional 20 units available for immediate deployment in case of unexpected needs or emergencies, ensuring uninterrupted production. 

At our company, we handle everything from illustration, design, and 3DCG production, to compositing and in-house editing, using ColorEdge monitors at every stage of the process. As color management in production becomes increasingly important, the most significant advantage of ColorEdge is their exceptional color reproducibility. Colors are rendered with precision, and there is minimal discrepancy in their appearance across different monitors. This ensures that when the director reviews footage or the production staff checks overall image quality, the colors remain consistent regardless of the monitor used in the studio.

Furthermore, we collaborate closely with the post-production team and engage with external affiliates to ensure that the color mode for each project is aligned. Discrepancies in color reproduction between monitors at different stages of production can result in a final that does not match the original vision. However, using ColorEdge has virtually eliminated any instances of color miscommunication. Moreover, EIZO’s high-quality manufacturing means we don’t have to worry about product malfunctions, allowing the production staff to focus on their work with peace of mind.

Chiai: I'm in charge of motion graphics, effects design, and visual development, and I use the CG2700S for my work. I typically use the SDR color mode, but since the CG2700S also supports HDR display I can easily switch to HDR for projects that require it. The ability to change the color mode or toggle between SDR and HDR with a simple switch on the front of the monitor is incredibly convenient. Additionally, the monitor has minimal reflection and glare, which has significantly reduced my eye fatigue. Previously, when I used a monitor from another manufacturer, I often experienced eye discomfort after extended periods. Since installing the CG2700S, I’ve noticed a significant reduction in eye strain.

I often use the CG2700S with my MacBook Pro, connecting via a USB Type-C^® cable. This configuration allows the monitor to simultaneously power my laptop and display the screen, eliminating any concerns about charging. Additionally, when I take my laptop to meetings or leave the office, I can resume work immediately upon returning to my desk by simply connecting a single cable. Not needing a separate power adapter has made this solution highly convenient.

Hirabayashi: I’m responsible for creating the animation that the audience will see. This involves compositing background art and effects with animated characters, adding special effects, and processing the footage. At my workstation, I have a multi-monitor setup with two 24.1-inch CG2420 monitors positioned side by side. One monitor is used for previewing video, while the other displays the materials to be composited. The thin bezels allow seamless viewing between the monitors, facilitating efficient footage review.

It is essential to have a monitor that allows me to verify the correct colors during the filming process when footage is transformed into a finished product. The CG2420 features a built-in calibration sensor that automatically calibrates the monitor periodically, ensuring consistent color accuracy. This allows me to proceed with confidence in the colors on the screen and deliver the finished video data to post-production with peace of mind.